Come and Save Me
Tonight
One
of the recurring themes in my writing is the redemptive power of
love. For it has the power to save us – from life's sorrows, from
the consequences of misdeeds, even from our own inner damnation.
It
is no surprise that the power ballads of the late '80s and early '90s
hold a special place in my heart. For a few years, love songs became
in-vogue for the previously asskicking-, sex- and decadence-obsessed
hard rock and metal bands, as they sought to spin off into a much
greater audience by showing their more sensitive side.
True,
the corporate formula of rock song, power ballad, rock song, power
ballad became predictable, and an oft-derided component of the hair
band era. The recording houses saw that there was a large,
undersold-to audience that ate up the power ballads like candy.
Correspondingly, every band, new or old, in the scene, had to record
them to sell albums.
It
was only a matter of time before the market became oversaturated, and
the backlash against the record studios began. And that spelled the
doom of the hair band.
Fortunately,
Aerosmith recorded a few gems during this era – including a song
about how the love of a good woman could even save a raunchy old
rocker like Steven Tyler.
Of
course, I was inspired by it. What self-respecting reformed
buttrocker wouldn't have been?
Angel
Drowning,
in
my tears,
that's
where
you
found me.
Without
hesitation
you
dove in
after
me.
I
was lost
without
a prayer
until
that fateful moment
you
intervened.
Now,
you're
my Angel.
Come
and save me
tonight.
Inspired
by “Angel” by Aerosmith
(c) Tortured Cyclone 2015, 2017
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